This is a complete Bibliography. Literature in the published text, the web-notes on this website and the web-texts on this website is included.
(Last updated 12-12-2019)
Abbing, H. (2002). Why Are Artists Poor? The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press.
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Abbing, H. (2014a). Inner Art World Exploitation of Artists. Presented at the Yearly conference of Seoul Foundation for Arts and Culture, Seoul, Korea. Retrieved from https://www.academia.edu/9793278/Inner_Art_World_Exploitation_of_Artists
Abbing, H. (2014b). Notes on the Exploitation of Artists. In Joy Forever: The Political Economy of Social Creativity. MayFlyBooks (also available as pdf).
Abbott, A. (1991). The order of professionalization: An empirical analysis. Work and Occupations, 18(4), 307–336.
Accominotti, F., Khan, S. R., & Storer, A. (2018). How Cultural Capital Emerged in Gilded Age America: Musical Purification and Cross-Class Inclusion at the New York Philharmonic. American Journal of Sociology, 123(6), 1743–1783. https://doi.org/10.1086/696938
Adams, R. B., Kräussl, R., Navone, M. A., & Verwijmeren, P. (2017). Is Gender in the Eye of the Beholder? Identifying Cultural Attitudes with Art Auction Prices (SSRN Scholarly Paper No. ID 3083500). Retrieved from Social Science Research Network website: https://papers.ssrn.com/abstract=3083500
Adler, M. (1985). Stardom and Talent. American Economic Review, 75, 208–212.
Adler, M. (2006). Stardom and Talent. In V. A. Ginsburgh & D. Throsby (Eds.), Handbook of the Economics of Art and Culture. Amsterdam a.o.: North-Holland.
Adorno, Theodor. W., & Horkheimer, M. (1991). The Culture Industry: Enlightenment as Mass Deception. In Th. W. Adorno & J. M. Bernstein (Eds.), The Culture Industry. Selected Essays on Mass Culture. London: Routledge.
Alexander, V. D. (2003). Sociology of the Arts. Exploring Fine and Popular Forms. Malden etc: Blackwell Publishing.
Alper, N. O., & Wassall, G. H. (2000). More Than Once in a Blue Moon: Multiple Jobholdings by American Artists. Washington, DC: National Endowment for the Arts.
Alper, N. O., & Wassall, G. H. (2006). Artists’ Careers and Their Labor Markets. In V. A. Ginsburgh & D. Throsby (Eds.), Handbook of the Economics of Art and Culture (pp. 813–864). Amsterdam a.o.: North-Holland.
Alper, N., Wassal, G., Jeffri, J., Greenblatt, R., Kay, A., & al., et. (1996). Artists in the Work Force: Employment and Earnings 1970-1990. Santa Anna: National Endowment for the arts; Seven Locks Press.
Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis London: University of Minnesota Press.
Arian, E. (1971). Bach, Beethoven, and Bureaucracy: The Case of the Philadelphia Orchestra (1st edition). University, Ala: The University of Alabama Press.
Arora, P., & Vermeylen, F. (2013). The End of the Art Connoisseur? Experts and Knowledge Production in the Visual Arts in the Digital Age. Information, Communication & Society, 16(2), 194–214. https://doi.org/10.1080/1369118X.2012.687392
Bakhshi, H., & Throsby, D. (2012). New technologies in cultural institutions: Theory, evidence and policy implications. International Journal of Cultural Policy, 18(2), 205–222. https://doi.org/10.1080/10286632.2011.587878
Baumann, S. (2001). Intellectualization and Art World Development: Film in the United States. American Sociological Review, 66(3), 404–426. https://doi.org/10.2307/3088886
Baumol, W. J. (1993). Health care, education and the cost disease: A Looming crisis for public choice. Public Choice, 77, 17–28.
Baumol, W. J. (1997). Public Support for the Arts: Why and Wherefore. Washington: President’s Committee on the Arts and the Humanities.
Baumol, W. J., & Bowen, W. G. (1966). Performing Arts. The Economic Dilemma. New York: The Twentieth Century Fund.
Becker, H. S. (1982). Art Worlds. Berkeley, University of California Press.
Becker, H. S. (2006). The work itself. In Art from Start to Finish. The University of Chicago Press.
Beech, D. (2015). Art and Value: Art’s Economic Exceptionalism in Classical, Neoclassical and Marxist Economics. BRILL.
Benjamin, W. (1969). The work of Art in the Age of Mechanical Reproduction. In Illuminations: Essays and Reflections. New York: Shocken books.
Bennett, T. (1995). The Birth of the Museum: History, Theory, Politics. Routledge.
Benzecry, C., & Collins, R. (2014). The High of Cultural Experience: Toward a Microsociology of Cultural Consumption. Sociological Theory, 32(4), 307–326. https://doi.org/10.1177/0735275114558944
Bevers. (1990). Convergenties tussen Overheid, Markt en Kunstwereld. Boekmancahier, 2(3).
Bevers, A. M., Colenbrander, B., Heilbron, J., & Wilterdink, N. (2015). Nederlandse kunst in de wereld: Literatuur, architectuur en beeldende kunst, 1980-2013. Nijmegen: Uitgeverij Vantilt.
Bickerdike, J. O. (2016). The Secular Religion of Fandom: Pop Culture Pilgrim. https://doi.org/10.4135/9781473912694
Bille, T., & Jensen. (2016). Artistic education matters: Survival in the arts occupations. Journal of Cultural Economics, 42(1), 23–43.
Blanning, T. C. W. (1969). The commercialization and Sacralization of European Culture in the Nineteenth Century. In T. C. W. Blanning (Ed.), The Oxford Illustrated History of Modern Europe. Oxford: Oxford University Press.
Blanning, T. C. W. (2008). The Triumph of Music. The Rise of Composers, Musicians and their Art. Cambridge, Mass.: Belknap Press of Harvard University Press.
Blokland, H. (1997). Freedom and Culture in Western Society. London: Routledge.
Bohme, G. (2017). Critique of Aesthetic Capitalism. Milano; Udine: Mimesis International.
Boltanski, L. (2014). From Object to OEuvre. The Process of Attribution and Valorization of Objects. In Joy Forever. MayFly Books.
Boltanski, L., & Chiapello, E. (2005). The New Spirit of Capitalism. London, New York: Verso.
Boltanski, L., & Esquerre, A. (2016). The Economic Life of Things. New Left Review, (98), 31–54.
Boltanski, L., & Thévenot, L. (1991). On Justification. Economies of Worth. Princeton and Oxford: Princeton University Press.
Bourdieu, P. (1977). The Production of Belief: Contribution to an Economy of Symbolic Goods. In The field of cultural production. Essays on art and literature. Edited by Randall Johnson. Oxford: Polity Press, 1992.
Bourdieu, P. (1983). The Field of Cultural Production, or: The Economic World Reversed. Poetics, 311–356.
Bourdieu, P. (1984). Distinction. A Social Critique of the Judgement of Taste. London: Routledge and Kegan Paul.
Bourdieu, P. (1993a). The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity Press.
Bourdieu, P. (1993b). The field of cultural production: Essays on art and literature. Cambridge: Polity.
Broek, A. van, Huysman, F., & Haan, J. de. (2005). Cultuurminnaars en Cultuurmijders. Den Haag: Sociaal en Cultureel Planbureau.
Brouwer, N., & Zijderveld, C. (2004). De Markt voor Beeldende Kunst. De Markt en de Financiele Positie van Beeldend Kunstenaars 2001 (No. SEO 682). Amsterdam: Stichting Economisch Onderzoek [Economic Reseach Institute of the University of Amsterdam].
Bryson, B. (1996). ‘Anything but heavy metal’: Symbolic exclusion and musical dislikes. American Sociological Review, 61, 884–899.
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Cowen, T. (1998). In Praise of Commercial Culture. Cambridge, Mass.: Harvard University Press.
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Danto, Arthur C. (1964). The Artworld. The Journal of Philosophy, 61, 571–584.
Danto, Arthur Coleman. (1986). The Philosophical Disenfranchisement of Works of Art. New York: Colombia University Press.
De Marchi, N., & Van Miegroet, H. J. (1996). Mapping markets for paintings in Europe 1450-1750 / ed. By Neil De Marchi & Hans J. Van Miegroet. Turnhout: Brepols.
Dekker, E. (2015). Two approaches to study the value of art and culture, and the emergence of a third. Journal of Cultural Economics, 39, 309–326.
Dimaggio, P. (1982). Cultural Entrepreneurship in Nineteenth Century Boston: The Creation of an Organizational Base for High Culture in America. Media, Culture and Society, 4, 33–50.
DiMaggio, P. (1991). Social structure, institutions, and cultural goods: The case of the U.S. In P. Bourdieu & J. Coleman (Eds.), Social theory for a changing society (pp. 133–166). Boulder: Westview Press.
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Dockx, N., & Gielen, P. (2018). Exploring Commonism: A New Aesthetics of the Real. Amsterdam: Valiz/Antennae Series.
Dolfsma, W. (1999). Valuing Pop Music. Institutions, Values and Economics. Delft: Eburon.
Dool, J. van den. (2018). Move to the music: Understanding the relationship between bodily interaction and the acquisition of musical knowledge and skills in music education. Retrieved from https://repub.eur.nl/pub/106278
Doorman, M. (2003). Art in progress: A philosophical response to the end of the avant-garde. Amsterdam: Amsterdam University Press.
Doorman, M. (2004). De Romantische Orde. Amsterdam: Bert Bakker.
Dowd, T. J. (2004). Musical Diversity and the U.S. Mainstream Recording Market, 1955—1990. ResearchGate, 82(4), 1411–1455.
Dowd, T. J., Liddle, K., Lupo, K., & Borden, A. (2002). Organizing the musical canon: The repertoires of major U.S. symphony orchestras, 1842 to 1969. Poetics, 30(1), 35–61. https://doi.org/10.1016/S0304-422X(02)00007-4
Dulken, H. van. (1988). In ons Diaconale Land. Amsterdam: Boekmanstichting/Van Gennep.
Durkheim, E. (1965). The Elementary Forms of Religious Life. New York: Free Press.
Dutton, D. (2003). Authenticity in Art. In J. Levinson (Ed.), The Oxford Handbook of Aesthetics. New York: Oxford University Press.
Elias, N. (1994). The Civilizing Process. Oxford: Blackwell, 1993.
Filer, R. K. (1987). The Price of Failure: Earnings of Former Artists. In D. V. Shaw, W. S. Hendon, & R. C. Waits (Eds.), Markets for the Arts. Akron: Akron University Press.
Fine, G. A. (2018). Talking Art: The Culture of Practice and the Practice of Culture in MFA Education (First edition). Chicago and London: University of Chicago Press.
Finkelstein, D., & MacCleery, A. (2005). An introduction to book history. New York [etc.]: Routledge.
Fiske, J. (2002). The Cultural Economy of Fandom. In The Adoring Audience: Fan Culture and Popular Media. https://doi.org/10.4324/9780203181539
Florida, R. (2014). The Rise of the Creative Class--Revisited: Revised and Expanded (1 edition). New York: Basic Books.
Forster, E. M. (2017). A Room with a View. Digireads.com Publishing.
Fraiberger, S. P., Sinatra, R., Resch, M., Riedl, C., & Barabási, A.-L. (2018). Quantifying reputation and success in art. Science 10.1126. https://doi.org/10.1126/science.aau7224
Frank, R. H., & Cook, P. J. (1995). The Winner-Take-All Society. New York etc.: The Free Press.
Frey, B. S., & Pommerehne, W. (1989). Muses and Markets. Explorations in the Economics of the Arts. Oxford: Basil Blackwell.
Ganzeboom, H. B. G. (1989). Cultuurdeelname in Nederland: Een empirisch-theoretisch onderzoek naar determinanten van deelname aan culturele activiteiten. Assen: Van Gorcum.
Gay, P. (1995). The Naked Heart. New York: Norton.
Giddens, A. (1991). Modernity and Self-Identity, Self and Society in the Late Modern Age. Cambridge UK: Polity Press.
Gielen, P. (2010). The Art Institution in a Globalizing World,`. The Journal of Arts Management, Law, and Society, 40, 279–296.
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Gilks, J. (2019). Gilks’s answer to Are you a fan of chamber opera? - Quora. Retrieved October 3, 2019, from https://www.quora.com/Are-you-a-fan-of-chamber-opera/answer/John-GilksGogh, V. V. (2003). The Letters of Vincent Van Gogh. Penguin UK.
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Hafferty, F. W., & Castellani, B. (2011). Two ships: The rise of a professionalism movement within modern medicine and medical sociology’s disappearance from the professionalism debate. In Handbook of the sociology of health, illness, and healing (pp. 201–219). New York: Springer.
Haines, R. E. (1982). The Inner Eye of Alfred Stieglitz. University Press of America, Incorporated.
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