Subject Index
The index is the same as in the book and in the freely downloaded back-matter on the publisher's website.https://doi.org/10.1007/978-3-031-18648-6
A
Acoustic amplification, 90
Aesthetic disposition, 162
Aggregator, 278
Alacovska, Ana, 259
Amateur, 292
Amateur artist, 105
Amateurish artist, 105
Anti-mainstream, 58
Applied art, 2
Appropriation, 164, 166
Aristocracy, 15
Arm’s length principle, 52, 224
Art building, 12, 39, 66, 260
Art-classic, 25
Art ethos, 4, 31, 44, 199, 212, 246,
316
Art experience, 65 Art for art’s sake, 7 Artform, 10
Art-heritage, 25
Art in a broad sense, 10 Art in a narrow sense, 10 Artistic autonomy, 7
Artistic compromise, 206
Artistic impoverishment, 234
Artistic quality, 54
Artistic value, 7
Artist-in-the-work, 72, 94
Art job, 115
Art movement, 310
Artpreneur, 227
Art product, 9
Art-related job, 115
Arts, 2
Arts-and-crafts, 144
Arts Council England, 28 Art setting, 3, 12, 65
Arts organisation, 9
Art space, 12, 66
Art-work preference, 116
Artworld, 8
Artworld elite, 8
Artworld establishment, 8
Artworld faction, 8
Attribution, 97
Aura, 93
Authenticity, 80, 118
Authentic life, 121
Authentic self, 69
Autonomous art, 206
Autonomous space, 207, 213, 214
Autonomy, 118, 206, 215 Autonomy of the arts, 54 Avant-garde, 55
Avatar concert, 276
B
Balloon Dog , 178 Bandcamp, 278, 295
Banksy, 179, 291, 301
Barrier, 13
Barriers of entry, 295 Battle, 293
Beatport, 295
Berghain nightclub, 164
Big band, 87
Blockchain technology, 271
Blog, 280
Bohemian artist, 251
Bohemian sphere, 245, 251
Booker prize, 312
BP, 222
Branding , 231
British Petroleum, 203
C
Calling, 118
Career path, 279
Cast size, 88
Ceremony , 41
Choreographies, 84
Chromolithographs, 170
Civilisation process, 76
Classification, 22
Cobra, 142
Co-creation, 101, 284
Cognitive competence, 162 Collective effervescence, 77
Commerce, 188
Commercial , 188
Commercial art, 206, 217
Commercial artist, 206
Commercialisation, 188
Commercialism, 188
Commercial logic, 211
Commercial turn, 3, 189, 228
Commodification, 188
Commodity, 188
Competitions, 292 Complexity in art, 162 Compromise, 215
Concentration, 301 Concentric circles model, 122 Concourses, 292
Consumer-oriented sphere, 245
Contemporaneity , 21
Cost disease, 86
Cost per consumption hour, 86 Cost per visitor-hour, 86 Counterfeit, 80
Counter revolution, 76
Cover, 82, 85
Crafts, 2, 312
Craftsmen, 34, 42
Creative industries, 122
Crossover art, 310
Cross-subsidisation, 214
Crowdfunding, 286 Crypto art, 271
Cubism, 98
Cultural entrepreneur, 227
Cultural entrepreneurship, 227
Cultural industries, 121, 122
Cultural value, 7
Culture Industry, 190, 302 Culture of generosity, 196
D
Dall-E2, 273, 315
Dance Academy , 268 Decommercialisation, 4, 7, 28
Decommodification, 188
Decommodified labour, 251
Deezer, 278
Deficits, 89, 175
Dematerialisation, 271 Democratisation of creativity, 121 Dependent independence, 213
Deutsche Grammophon, 264
Digital audio workstations (DAWs), 271
Digital divide, 298, 321
Digitisation, 270
Direct public funding, 49 Disco Sucks movement, 311 Disintermediation, 278 Dissemination of art, 140
Dissemination of innovation, 58
Distinction, 180
DIY (do-it-yourself), 252
Donation, 49, 196
Donor, 221
Dynamic ticketing, 300
E
Earning capacity, 257
Economic value, 7
Editorial playlisting, 297
Elgin Marbles, 173
Elite art, 10
Empowerment, 167
Enchantment, 69
Enrichment, 233, 281
Enterprise, 227
Entrance barrier, 292
Entrepreneur, 211, 227
Entrepreneurship, 255
Entrepreneurship education, 255
Essentialist , 6
Established art, 10
Ethereum, 272
Etiquette, 3, 22
Eurovision Song Festival, 293 Excellence, 54
Exclusivity, 177
Experience economy, 33
Exploitation of artists, 199
Expressive authenticity , 80
F
Fake, 80
Family of art, 36
Feel for the game, 157 Female conductors, 139 Female visual artists, 140
Financialisation of the visual art market, 178, 195
Financial support, 48
Financial value, 8
Fluxus, 142
Fordist capitalism, 121
Formal barrier, 13
Formal etiquette, 76
Formal exclusion, 149
For-profit, 29, 227
Fragmentation, 298, 310
Frankfurt School, 302
Fringe festival, 312
G
Gatekeeper, 9, 42
Gatekeeping, 42, 45, 296
Genre, 310
Genuine, 80, 85, 97
Geographic dissemination of art, 141 Gift, 196
Gift economy, 197
Gift exchange, 196
Gift-giving, 196
Grand piano, 90
Grant, 196
Greying, 77, 137
Guilds, 42, 210
H
Hausmusik, 211
Haydn, Joseph, 35
Head of the tail, 288, 297, 305, 313
Herd behaviour, 289
Heteronomous art, 206
Heteronomy, 206, 215
High-brow, 168
Higher-class popular art, 11 Higher education, 16
High quality, 54
Hirst, Damian, 73
Historically informed, 80, 85
Homogenisation, 233
Horizontal dissemination of art, 141 Human capital, 106, 107
Human capital theory, 107 Hybrid art, 312
Hybrid art practice, 115, 250
Hybridisation, 303, 311
I
Identity creation, 77
Imagined community, 36
Imagined market , 187 IMDbPro, 295
Imitation art, 58
Immersive art, 275
Immersive exhibition, 275
Income differential, 112
Income distribution, 178
Income penalty, 112
Incomes of artists, 111 Indirect public funding, 49 Individual good, 277
Influencer, 280
Informal barrier, 13
Informal exclusion, 149, 155
Informalisation, 75
Innovation, 55, 58, 270
Instagram, 278
Instrumental rationality, 229 Instrumental reason, 222, 229
Intellectual discourse, 163
Intellectualisation, 163
Internal subsidisation, 214
Internet platform, 276
Intrinsically motivated, 7
Intrinsic motivation, 119
Investment, 55
Irreplaceability, 122
Isolation, 22
J
Jazz, 74
Justifications of public support , 51
K
Kunst für Alle, 142
L
Labour of love, 119
Labour productivity, 87
Late period of serious art, 3 Laundering, 202
Little education, 16
Long tail, 288, 299
Low-brow, 168
Low class, 15
Lower class, 15
Lower-class popular art, 11 Lower education, 16
M
Maecenas, 198, 210
Maestro, 295
Main period of serious art, 3
Mainstream art, 56, 311
Makeup artist, 316
Man with the Golden Helmet , 97 Market economy, 212
Marketing, 231
Market(s), 187
Mass markets, 150
Meaningfulness, 167
Medium and deep pocket markets, 150
Meme(s), 281, 315
Merch, 283
Merit good, 52, 143
Middle class, 15
Modest artist, 105 Monetary value, 7 Monetisation, 188, 284 Mozart in the Jungle, 267 Multiple, 83
Multiple jobholding, 115 Multiple rights deals, 305 Music hall, 91
N
National Lottery, 50 Negative freedom, 207 Neoliberalism, 188
Neoliberal mindset, 55
Netflix, 277
Network capitalism, 76 Network society, 276
New bohemian, 251
New bohemian arts organisation, 251 New middle class, 308
Niche market, 211, 227, 313
Night Watch, 33
Nominal authenticity, 80, 85
Non-art-related job, 115
Non-fungible token (NFT), 179, 272 Non-monetary rewards, 123
Nonprofit, 29
Not-for-profit, 29
Not-orchestrated attunement, 9 Number of artists, 113
O
Omnivorousness, 306
Online platform, 276
Opportunity cost, 149
Original, 80, 82
Original artwork, 82
Other-oriented art, 209, 214
Overrepresentation, 136
Own art, 209
Own work, 214
P
Paraphernalia, 262, 283
Parasocial interaction, 282
Parasocial relationship, 282
Part-Gift, 196
Path dependency, 158
Patreon, 286
Patron, 198, 210
Patronage, 212
Pay As You Want scheme, 153 Performance, 82
Period of serious art, 3 Personal exclusion, 149
Philanthropy, 196
Plaster copies, 171
Platform economy, 276
Playlisting, 285, 297
Plays, 84
Plural art practice, 115 Popular aesthetic, 162
Popular art, 3, 11 Positional goods , 177 Positive freedom, 207 Post-Fordism, 76
Precarity, 120, 253, 256, 318
Price differentiation, 151, 153
Price discrimination, 153
Price elasticity, 152
Price exclusion, 149, 277
Price-exclusion-irrespective-of-persons , 149
Primary socialisation, 159 Private support, 49
Production, 83
Production cycle, 58
Productivity, 90
Professional, 292
Professional artist, 105, 108
Propensity to seek out risk, 120 Prosumers, 103
Prosumption, 284
Protocol , 41
Provenance, 97
Public funding, 48
Public good, 277
Public support, 48, 49
Purposeful purposelessness, 7
Q
Quid pro quo, 196
R
Real art, 10
Real music, 173
Recognised art, 10
Recommercialisation, 4, 31, 189, 218
Recomposition, 82, 85
Refraction, 101
Relievo technique, 172
Rembrandt, 33, 71
Rembrandt Project, 295
Replica, 83
Reproduction, 83
Research sphere, 245, 248
Resocialisation, 159
Restricted production, 55
Retro-style, 58
Rijksmuseum, 33
S
Saatchi Art, 286, 295
Sacred object, 36
Scene, 56
Scores, 84
Screening theory, 107 Secondary socialisation, 159 Second jobs, 114
Self-actualisation, 118
Self-branding , 231
Self-constructed artwork, 65
Self-control, 73
Self-employed, 227
Self-employed artist, 227
Self-exclusion, 149
Self-expression, 118
Selfless, 119
Self-subsidisation, 214
Self-taught artist, 105, 112, 113, 296
Sell-out, 206
Semi-professional artist, 105
Sense de jeux , 157 Series, 83
Serious art, 10
Side-line product, 260
Signalling, 107
Simón Bolívar Symphony Orchestra, 147
Singular , 93
Singularity , 93
Small-time artist, 105 Social boundary, 13 Socialisation, 159
Social media, 276
Soundcloud, 278
So You Think You Can Dance, 294 Speculation, 178
Sphere of hybrid practices, 245, 250
Sponsor, 196, 221
Spotify, 278, 292
Stage set, 88
Standardisation, 233
Subscription, 30, 271
Subsidising deficits, 50
Subsidy, 48, 196
Superstar effect, 288 Support in Europe, 48 Sydney Opera House, 262 Symbolic boundary, 13 Symphony orchestra, 87
T
Tate Modern, 203, 222, 310
Tattooist, 316
Tax deduction, 49 Technical/mechanical/digital
reproductions, 83
Technological innovation, 90
Theatre, 85
The Next Step, 268 The tail, 288
The Voice, 268, 294
The X-Factor , 268, 294
360-deal, 305
Thumb-stopping, 281
Ticketmaster, 300
TikTok, 278
Traditional art, 10 True art, 10
Twitter, 278
U
Underprivileged groups, 135, 138
Underrepresentation, 136
Univorous, 307
Unlimited editions, 96
Upper class, 15
Useful art, 5
V
Van Gogh Museum, 262 VAT tariff, 50
VAT tax rate, 308 Veblen good, 195
Vertical dissemination of art, 141 Video essay, 280
Virtual performance, 276
Virtual reality, 274
Vlog, 280
Vocation, 118
Voucher scheme, 153
W
W.A.G.E., 201
Wageless life, 251
Wageless work, 251 Whitechapel Gallery, 144 Whitewashing, 203
Winner-take-all market, 288, 313
Women, 138
Working artist, 105
Work itself , 67
Work preference, 116 World of art, 8
Y
Yellow Lounge, 264
YouTube, 278
YouTuber, 280